Giorgio Bartocci
Nato a Jesi nel 1984 e figlio d’arte, fin dall’età di 12 anni inizia a fare graffiti, come espressione alternativa di rappresentare se stessi, un’attitudine da strada che segnerà fortemente l’evoluzione del suo percorso artistico; studia all’Istituto d’Arte Mannucci e successivamente si specializza in grafica e comunicazione all’Istituto Superiore per le Industrie Artistiche I.S.I.A di Urbino, dove si diploma con una tesi sui linguaggi figurativi dal titolo Moderni Primitivi, senza abbandonare mai la pratica attiva: «vivo immerso in una sorta di tensione creativa che definisco il ritmo pulsante della vita quotidiana, amo interagire graficamente nella complessità delle strutture urbane». Dal suo approccio istintivo e gestuale, a tratti espressionista, emergono figure inquiete, sospese fra il primitivismo e un presente sfuggente, che intuiscono il dramma della società attuale, definita «liquida» da Bauman, in cui si assiste alla disgregazione della persona attanagliata in una società globalizzata e frenetica che, a discapito delle possibilità incredibili di socializzazione apparentemente offerto, produce individui sempre più omologati incapaci di relazionarsi in una vera comunità: queste figure arcane, intrecciandosi, si perdono infatti in trame astratte in continua metamorfosi.
Born in Jesi in 1984 and of family tradition, since the age of 12 he began doing graffiti, as an alternative self-expression, an attitude of the street that strongly marked the evolution of his artistic course: he studied at the Istituto d’Arte Mannucci and after that he specialized in graphics and communication at the Istituto Superiore per Industrie Artistiche I.S.I.A. of Urbino, where he graduated with a thesis on figurative languages entitled Moderni Primitivi (modern primitives), never abandoning the practice of graffiti: «I live immersed in a sort of creative tension that I define the pulsating rhythm of everyday life, I love to graphically integrate into the complexity of urban structures». Out of his gestural and instinctive, sometimes expressionist, approach, alarming figures emerge, suspended between primitivism and an elusive present, they perceive the drama of today’s society, defined «liquid» by Bauman, in which we assist to the disintegration of the person entangled in a globalized and frenetic society that, at the expense of the incredible possibilities of socialization apparently offered, produces individuals, that are incapable of forming genuine community relationships: these arcane figures, interlacing, get lost in abstract themes in continual transformation.
Giorgio Bartocci
Nato a Jesi nel 1984 e figlio d’arte, fin dall’età di 12 anni inizia a fare graffiti, come espressione alternativa di rappresentare se stessi, un’attitudine da strada che segnerà fortemente l’evoluzione del suo percorso artistico; studia all’Istituto d’Arte Mannucci e successivamente si specializza in grafica e comunicazione all’Istituto Superiore per le Industrie Artistiche I.S.I.A di Urbino, dove si diploma con una tesi sui linguaggi figurativi dal titolo Moderni Primitivi, senza abbandonare mai la pratica attiva: «vivo immerso in una sorta di tensione creativa che definisco il ritmo pulsante della vita quotidiana, amo interagire graficamente nella complessità delle strutture urbane». Dal suo approccio istintivo e gestuale, a tratti espressionista, emergono figure inquiete, sospese fra il primitivismo e un presente sfuggente, che intuiscono il dramma della società attuale, definita «liquida» da Bauman, in cui si assiste alla disgregazione della persona attanagliata in una società globalizzata e frenetica che, a discapito delle possibilità incredibili di socializzazione apparentemente offerto, produce individui sempre più omologati incapaci di relazionarsi in una vera comunità: queste figure arcane, intrecciandosi, si perdono infatti in trame astratte in continua metamorfosi.
Born in Jesi in 1984 and of family tradition, since the age of 12 he began doing graffiti, as an alternative self-expression, an attitude of the street that strongly marked the evolution of his artistic course: he studied at the Istituto d’Arte Mannucci and after that he specialized in graphics and communication at the Istituto Superiore per Industrie Artistiche I.S.I.A. of Urbino, where he graduated with a thesis on figurative languages entitled Moderni Primitivi (modern primitives), never abandoning the practice of graffiti: «I live immersed in a sort of creative tension that I define the pulsating rhythm of everyday life, I love to graphically integrate into the complexity of urban structures». Out of his gestural and instinctive, sometimes expressionist, approach, alarming figures emerge, suspended between primitivism and an elusive present, they perceive the drama of today’s society, defined «liquid» by Bauman, in which we assist to the disintegration of the person entangled in a globalized and frenetic society that, at the expense of the incredible possibilities of socialization apparently offered, produces individuals, that are incapable of forming genuine community relationships: these arcane figures, interlacing, get lost in abstract themes in continual transformation.
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